For anyone interested in horror writing, this is a list published about a decade ago by the Horror Writers Association of must-reads in order to familiarize oneself with the genre. I must admit I have only read about a third of this list. It’s subjective, of course. I would definitely add Poe, Robert Louis Stevenson, Peter Straub and others. Shirley Jackson definitely belongs here, particularly and most egregiously since the list features only one woman, albeit in the most important, lead-off position. Hope this is stimulating, at least.
Check out the latest in a series of special free lectures from Writers Studio. Join us for an inspiring talk by Writers Studio teacher Frances Lynch on the value of using writing exercises to improve your craft.
WHAT: Free Lecture: Writing Exercises — The Path To Your Best Writing
WHERE: Woods Memorial Library at 3455 N. First Avenue
WHEN: Thursday June 22 at 6:30 to 7:30 PM
Hope to see you there!
Also, new classes start at the Writers Studio here in Tucson in only a few weeks. Sign up for a workshop class and put exercises to work to enhance your writing skills and try your hand at new voices and techniques:
Flash Sale: $30 off any summer writing class. Discount must be taken at time of registration, cannot be combined with any other offer. Valid while supplies last. Expires 6/12/17. Use coupon code: Facebook17
Today I had a flash fiction piece published in a new online journal, Edify Fiction. It’s called “The Daytime People” and was directly inspired by an afternoon I spent observing people in a fast food restaurant here in Tucson. You can Read It Here.
The Daytime People
The piece was created for a Writers Studio reading event last fall. My thanks to Renee Bibby and all my friends and colleagues at Writers Studio for providing the inspiration for this piece and the impetus to write it.
Hope you enjoy the piece, and feel free to leave a comment by clicking on the orange dialogue box to the right of the story title.
If you have fiction, poetry or digital art of a uniquely positive nature, consider submitting it to Edify Fiction.
Thanks for reading!
The Writers Studio is the renowned creative writing program founded in 1987 in New York by Pulitzer Prize winning poet Philip Schulz. With its branches in NYC, San Francisco, Tucson, Hudson Valley as well as its online and “Kids Write” components, Writers Studio has been helping poets and fiction writers reach their potential for 30 years.
Through my work with Writers Studio as a student and now as a teacher, I’ve become more confident at developing strong narrative voices that take command of my creative material. Using effective narrators that help guide the reader through a satisfactory literary experience has helped me publish multiple short pieces and make progress on a novel, a first draft of which I hope to complete later this year.
To celebrate its three decades of helping writers develop their craft, Writers Studio is releasing a 500-page 30th anniversary anthology, featuring nearly 100 hundred authors. The publisher is Epiphany Editions.
The Writers Studio at 30 features work by Writers Studio advisory board members Jennifer Egan, Robert Pinsky, Edward Hirsch, Grace Schulman, Matthew Klam, Carl Dennis, and Jill Bialosky, as well as 30 years of students and teachers from its creative writing classes.
I’m proud to be one of the authors featured, with a short fiction piece titled “Probably Last Meeting of the Bluebell Ridge II Homeowners Association.” It was previously published in The Airgonaut.
A celebratory reading will be held in New York on May 6 at the Strand Bookstore to mark the occasion. Wish I could be there, but traveling to NY is not in my budget right now.
The Writers Studio at 30 Anthology should be a great resource for anyone interested in enjoying a smorgasbord of strong narrative voices used in service to poems and stories containing wildly divergent subject matter.
Until May 6, you can pre-order the anthology at a discounted price of $20.
Robert McCammon’s 1991 novel Boy’s Life (not to be confused with Tobias Wolff’s This Boy’s Life: A Memoir) is a richly imagined, episodic, and often sentimental 1991 tale with horror/fantasy shadings about a white 12-year-old boy growing up in a racially segregated town in the south during the 60s. It’s an odd, rich soup, in which incidents involving good-old-boy townsfolk doing KKK stuff sit alongside fantastic bits like a stegosaurus getting loose from a circus van and then charging out of the woods to attack cars on the highway, mistaking them for rival dinosaurs.
In between, there are loads of Bradburian reminiscences from the perspective of our boy narrator, Cory. They are magical memories of small town growing up, awash in a romantic nostalgic afterglow. Tales of bullies, baseball, camping trips and nascent encounters with the mysterious species known as girls, as well as portraits of oddball locals like the rich guy’s grown son who walks around town stark naked. (Everyone in town is used to it.) There are also vignettes involving faithful dogs and a seemingly-enchanted bicycle with a personality all its own.
Along the way, we’re treated to danger, death and a mystery involving a murder victim submerged in a car in a lake, an incident witnessed by Cory and his dad. In particular, it’s Cory’s dad who’s haunted by the horror of not being able to help the bound, sinking victim. The quest for a solution to this mystery (no spoilers here), and the peace of mind it would bring to Cory’s dad, becomes the main unifying narrative thread, but dozens of others are woven in between.
Perhaps best to think of the book as a phantasmagorical tapestry with dollops of sociological/historical observations of the period. From a narrative perspective, the author unapologetically violates the perspective of his first-person narrator (Cory), cutting away to incidents that Cory did not witness. Whether this is a faux pas or an act of supreme authorial confidence is something the reader must decide.
I enjoyed the Boy’s Life a lot, although the episodic structure made forward narrative momentum sag in places, and its extremely fond and nostalgic perspective on growing up is a bit sweet for my taste. But the author cannot be faulted for lack of imagination or invention. This is a richly baked cake of the warm, wondrous, adventure-packed boyhood we all deserved but didn’t get.
We got a sizable crowd that filled up most of the space at our location, a meeting room in the Woods Memorial Library. Many old friends were there, some who had taken our classes before, and some who seemed to be new faces.
Reneé Bibby (at podium), director of the Tucson branch of Writers Studio, was the moderator, and I was one of the panelists, along with Lilian Vercauteren (left side of table) and Donna Aversa (center). It was really fun to be part of the discussion and talk about examples from our own work to illustrate how we had made certain technical choices to sustain a viable narrator and evoke effective mood.
Writers Studio hopes to have more such events in the coming year, focusing on choices we all make to be better writers. I’ll report on them here.
The Writers Studio Tucson Lecture Series presents
Light to Dark:
Using Mood to Create an Effective Narrator
Join us for an evening of craft and conversation featuring local Tucson writers Donna Aversa, Phil Ivory, and Lilian Vercauteren
When: Thursday, March 23, 6:30 to 7:30 p.m.
Where: Woods Memorial Library (3455 N. 1st Ave)
This event is free and open to everyone.
The moderated panel discussion will feature these Tucson Literary Luminaries:
- Donna Aversa is a fiction writer who has studied and trained to teach at The Writers Studio Tucson, and is passionate about The Writers Studio method. With degrees from the University of Arizona, she is an attorney in private practice. Donna is currently working on a collection of short stories.
- Phil Ivory studied literature at Columbia University. His fiction has been published in The Airgonaut, Literally Stories, Devolution Z, Bewildering Stories and elsewhere. Nominated in 2017 for the Pushcart Prize, he was previously a winner of the 2015 Writers Studio “Write-to-Read” contest and Bewildering Stories’ 2016 Mariner Awards. Phil teaches at The Writers Studio Tucson and maintains a blog at writeyourselfsane.com
- In her early twenties, Lilian Vercauteren came to the US to see what the fuss was all about. More than a decade later, she has only barely scratched the surface of discovering the American spirit. She has written and published several short stories and is currently querying a novel length manuscript with literary agents. She is an alumni of The Writers Studio Tucson Master Class.
Questions? Contact Reneé Bibby at email@example.com or 520-591-8795.
“A distinguished annual literary event.”
— New York Times
Early this year, I received a letter from Pushcart Press informing me that I am nominated for the Pushcart Prize.
This means that I was invited to submit to the Pushcart Committee up to three stories I had published in 2016. The pieces are now under consideration for publication in the upcoming Pushcart Prize XLII: Best of the Small Presses 2018 Edition, to be published in November. To win the Prize is to be published in the book. And vice versa.
(Okay, it’s a mite confusing. I’m submitting stories from 2016 for a book that will be published in 2017 but which will be labelled 2018. If I win, I will take a TARDIS to the ceremony. Well, I would, if I had a TARDIS. And if there were a ceremony.)
“Of far more significance than other awards.”
— Joyce Carol Oates
As a teacher with The Writers Studio, I know how valuable these annual volumes are. We use them in teaching our students, selecting stories and poems that demonstrate craft techniques that we ask our students to emulate in their own writing.
To comply with the nomination, I submitted the following three stories:
- “Most of Us Are from Someplace Else” (published in Literally Stories, July 2016)
- “On Hyacinth Mountain” (published in Devolution Z, May 2016)
- “The Yellow Man” (published in Bewildering Stories, May 2016)
Where did the Pushcart Prize come from? Here’s an excerpt from an article in Poets & Writers, “Pushcart Prize Turns Forty”:
The idea for the Pushcart Prize anthology was first conceived in the early 1970s by founding editor Bill Henderson, who at the time was a senior editor at Doubleday. “I was tired of the publishing industry turning writers into dollar signs,” Henderson says, citing the tendency for big houses to favor marketability over substance.
I’m grateful to whomever nominated me for this prestigious honor. That person’s identity is unknown to me. Truth be told, many people are nominated and there are long odds against winning. I should know by end of May whether I’ll be a winner or remain a humble nominee, and I’ll report any news here.
“This is the anthology that the writers read.”
— Russell Banks
Meanwhile, you can purchase the Pushcart’s most recent edition, Pushcart Prize XLI: Best of the Small Presses 2017 Edition at Amazon.com.
Please check out my new piece of flash fiction at The Airgonaut, a monthly online literary journal specializing in absurdist, fabulist, magical realism, and surreal work.
I set a challenge to myself to see if I could write a piece in the format of notes from a homeowners association meeting. The resulting story can be read here:
Thanks for reading!
I must be feeling ambitious, so I have submitted a new story not only to the Epiphany contest (deadline March 1) mentioned in my last blog entry, but also to the Masters Review Fall Fiction Contest (deadline March 13, see link below.)
Both offer generous cash prizes and publication, and both require $20 entry fees.
Take a look, and if you decide to enter … Best of luck!
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