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All posts for the month April, 2017

Writers Studio 30th Anniversary Anthology

Published April 20, 2017 by Philip Ivory

The Writers Studio is the renowned creative writing program founded in 1987 in New York by Pulitzer Prize winning poet Philip Schulz. With its branches in NYC, San Francisco, Tucson, Hudson Valley as well as its online and “Kids Write” components, Writers Studio has been helping poets and fiction writers reach their potential for 30 years.

Through my work with Writers Studio as a student and now as a teacher, I’ve become more confident at developing strong narrative voices that take command of my creative material. Using effective narrators that help guide the reader through a satisfactory literary experience has helped me  publish multiple short pieces and make progress on a novel, a first draft of which I hope to complete later this year.

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To celebrate its three decades of helping writers develop their craft, Writers Studio is releasing a 500-page 30th anniversary anthology, featuring nearly 100 hundred authors. The publisher is Epiphany Editions.

The Writers Studio at 30 features work by Writers Studio advisory board members Jennifer Egan, Robert Pinsky, Edward Hirsch, Grace Schulman, Matthew Klam, Carl Dennis, and Jill Bialosky, as well as 30 years of students and teachers from its creative writing classes.

I’m proud to be one of the authors featured, with a short fiction piece titled “Probably Last Meeting of the Bluebell Ridge II Homeowners Association.” It was previously published in The Airgonaut.

A celebratory reading will be held in New York on May 6 at the Strand Bookstore to mark the occasion. Wish I could be there, but traveling to NY is not in my budget right now.

The Writers Studio at 30 Anthology should be a great resource for anyone interested in enjoying a smorgasbord of strong narrative voices used in service to poems and stories containing wildly divergent subject matter. 

Until May 6, you can pre-order the anthology at a discounted price of $20.

Click here for Discount Pre-Order.

 

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Book Review: Boy’s Life by Robert McCammon

Published April 5, 2017 by Philip Ivory

Robert McCammon’s 1991 novel Boy’s Life (not to be confused with Tobias Wolff’s This Boy’s Life: A Memoir) is a richly imagined, episodic, and often sentimental 1991 tale with horror/fantasy shadings about a white 12-year-old boy growing up in a racially segregated town in the south during the 60s. It’s an odd, rich soup, in which incidents involving good-old-boy townsfolk doing KKK stuff sit alongside fantastic bits like a stegosaurus getting loose from a circus van and then charging out of the woods to attack cars on the highway, mistaking them for rival dinosaurs.

In between, there are loads of Bradburian reminiscences from the perspective of our boy narrator, Cory. They are magical memories of small town growing up, awash in a romantic nostalgic afterglow. Tales of bullies, baseball, camping trips and nascent encounters with the mysterious species known as girls, as well as portraits of oddball locals like the rich guy’s grown son who walks around town stark naked. (Everyone in town is used to it.) There are also vignettes involving faithful dogs and a seemingly-enchanted bicycle with a personality all its own.

Along the way, we’re treated to danger, death and a mystery involving a murder victim submerged in a car in a lake, an incident witnessed by Cory and his dad. In particular, it’s Cory’s dad who’s haunted by the horror of not being able to help the bound, sinking victim. The quest for a solution to this mystery (no spoilers here), and the peace of mind it would bring to Cory’s dad, becomes the main unifying narrative thread, but dozens of others are woven in between.

Perhaps best to think of the book as a phantasmagorical tapestry with dollops of sociological/historical observations of the period. From a narrative perspective, the author unapologetically violates the perspective of his first-person narrator (Cory), cutting away to incidents that Cory did not witness. Whether this is a faux pas or an act of supreme authorial confidence is something the reader must decide.

I enjoyed the Boy’s Life a lot, although the episodic structure made forward narrative momentum sag in places, and its extremely fond and nostalgic perspective on growing up is a bit sweet for my taste. But the author cannot be faulted for lack of imagination or invention. This is a richly baked cake of the warm, wondrous, adventure-packed boyhood we all deserved but didn’t get.

Robert McCammon’s Boy’s Life on Goodreads
Robert McCammon’s Boy’s Life on Amazon