My thanks to everyone who followed my 31 Days of Classic Horror during October.
If you missed any of those posts, I’ve compiled a handy list of all 31 featured films. To access it, just click on the image below.
Thanks!
Thanks to our students and friends who came out to support our special event last Friday, Oct. 18!
Our teachers at The Writers Studio Tucson had a chance to read from their creative work at a public reading held at Antigone Books on Fourth Avenue here in Tucson.
It was called UNREAL, and gave our teachers, Lela Scott MacNeil, Richard Leis, Donna Aversa, Reneé Bibby and myself a chance to read selections of poetry and prose that focus on the unusual, the dark, and the unreal.
This was the program:
Lela Scott MacNeil / reading novel excerpt, Long Night’s Journey Into Day
Phil Ivory / reading flash fiction, Probably Last Meeting of Bluebell Ridge II Homeowners Association
Richard Leis / reading poems, [Aliens are here], Phantom Taste of Apricot on My Tongue, Cities Through Telescopes, City as Fairy Tale, and Burning Baby
Donna Aversa / reading flash fiction, A Little Bit Of Sausage
Reneé Bibby / reading short story excerpt, That Boy
We had a great turnout who came to hear our work and browse at Tucson’s most celebrated independent bookstore.
Many thanks to Antigone Books for being such a gracious and enthusiastic host, and making us and our guests feel at home. We’re looking forward to more events like it.
October’s here, time for tales that send shivers along the spine, that whisper “What if?” to the part of you that thrills to the dread and unspeakable.
If you want a cerebral, eerie but ultimately humanistic read, check out my novelette, “The Yellow Man,” winner of the 2016 Mariner Awards, available at Bewildering Stories.
It’s an unsettling tale about Allan, who’s 11 and sits alone in a basement, fitting puzzle pieces together as visitors come and go, people from the town who sit quietly with Allan, saying nothing before fading again into nothingness.
One of his visitors is his best friend, Sheri. But something has gone wrong in their friendship. And she is only a shadow of what he remembers.
Allan knows his visitor have something to do with what is on the other side of the basement wall.
He knows they are not alive.
And then there is the one who is something worse than that, and the key to all of Allan’s problems and why he has been in the basement so long …
From my earliest years, horror films have had a profound influence on my creativity and my writing, and it’s time I paid them proper tribute for their artistry and lingering cultural impact.
Starting tomorrow and continuing each day for the entire month of October, I’ll highlight a favorite horror film, one that’s particularly influential in the field, or that impacted me in a profound way. The choices are subjective and entirely mine. The list will proceed chronologically from the dawn of sound films to the present day.
Please check in and help me celebrate the cinema of the macabre all this month. Like Dr. Septimus Pretorius in BRIDE OF FRANKENSTEIN (1935), let’s hoist our glasses and toast the infernal, unholy, misbegotten and malign: